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BASIC WRITINGS

artists. Even if the word art were taken to signify more than a collective notion, what is meant by the word could exist only on the basis of the actuality of works and artists. Or is the converse the case? Do works and artists exist only because art exists as their origin?

Whatever the decision may be, the question of the origin of the work of art becomes a question about the essence of art. Since the question whether and how art in general exists must still remain open, we shall attempt to discover the essence of art in the place where art undoubtedly prevails in an actual way. Art essentially unfolds in the artwork. But what and how is a work of art?

What art is should be inferable from the work. What the work of art is we can come to know only from the essence of art. Anyone can easily see that we are moving in a circle. Ordinary understanding demands that this circle be avoided because it violates logic.

What art is can be gathered from a comparative examination of actual artworks. But how are we to be certain that we are indeed basing such an examination on artworks if we do not know beforehand what art is? And the essence of art can no mote be arrived at by a derivation from higher concepts than by a collection of characteristics of actual artworks. For such a derivation, too, already has in view the definitions that must suffice to establish that what we in advance take to be an artwork is one in fact. But selecting characteristics from among given objects, and deriving {GA 5: 3} concepts from principles, are equally impossible here, and where these procedures are practiced they are a self-deception.

Thus we are compelled to follow the circle. This is neither a makeshift nor a defect. To enter upon this path is the strength of thought, to continue on it is the feast of thought, assuming that thinking is a craft. Not only is the main step from work to art a circle like the step from art to work, but every separate step that we attempt circles in this circle.

In order to discover the essence of the art that actually prevails in the work, let us go to the actual work and ask the work what and how it is.


Martin Heidegger (GA 5) The Origin of the Work of Art - Basic Writings (1993)