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BASIC WRITINGS

The self-contained block of granite is something material in a definite if unshapely form. Form means here the distribution and arrangement of the material parts in spatial locations, resulting in a particular shape, namely, that of a block. But a jug, an ax, a shoe are also matter occurring in a form. Form as shape is not the consequence here of a prior distribution of the matter. The form, on the contrary, determines the arrangement of the matter. Even more, it prescribes in each case the kind and selection of the matter—impermeable for a jug, sufficiently hard for an ax, firm yet flexible for shoes. The interfusion of form and matter prevailing here is, moreover, controlled beforehand by the purposes served by jug, ax, shoes. Such usefulness is never assigned or added on afterward to a being of the type of a jug, ax, or pair of shoes. But neither is it something that floats somewhere above it as an end.

Usefulness is the basic feature from which this being regards us, that is, flashes at us and thereby is present and thus is this being. Both the formative act and the choice of material—a choice given with the act—and therewith the dominance of the conjunction of matter and form, are all grounded in such usefulness. A being that falls under usefulness is always the product of a process of making. It is made as a piece of equipment for something. As determinations of beings, accordingly, matter and form have their proper place in the essential nature of equipment. This name designates what is produced expressly for employment and use. Matter and form are in no case original determinations of the thingness of the mere thing.

A piece of equipment, a pair of shoes for instance, when finished, is also self-contained like the mere thing, but it does not have the character of having taken shape by itself like the granite boulder. On the other hand, equipment displays an affinity with the artwork insofar as it is something produced by the human hand. {GA 5: 14} However, by its self-sufficient presencing the work of art is similar rather to the mere thing which has taken shape by itself and is self-contained. Nevertheless we do not count such works among mere things. As a


Martin Heidegger (GA 5) The Origin of the Work of Art - Basic Writings (1993)