160
BASIC WRITINGS

the world of the peasant woman. From out of this protected belonging the equipment itself rises to its resting-within-itself.

But perhaps it is only in the picture that we notice all this about the shoes. The peasant woman, on the other hand, simply wears them. If only this simple wearing were so simple. When she takes off her shoes late in the evening, in deep but healthy fatigue, and reaches out for them again in the still dim dawn, or passes them by on the day of rest, she knows all this without noticing or reflecting. The equipmental being of the equipment consists indeed in its usefulness. But this usefulness itself rests in the abundance of an essential Being of the equipment. We call it reliability. By virtue of this reliability the peasant woman is made privy to the silent call of the earth; by virtue of the reliability of the equipment she is sure of her world. World and earth exist for her, and for {GA 5: 20} those who are with her in her mode of being, only thus—in the equipment. We say "only" and therewith fall into error; for the reliability of the equipment first gives to the simple world its security and assures to the earth the freedom of its steady thrust.

The equipmental being of equipment, reliability, keeps gathered within itself all things according to their manner and extent. The usefulness of equipment is nevertheless only the essential consequence of reliability. The former vibrates in the latter and would be nothing without it. A single piece of equipment is worn out and used up; but at the same time the use itself also falls into disuse, wears away, and becomes usual. Thus equipmentality wastes away, sinks into mere stuff. In such wasting, reliability vanishes. This dwindling, however, to which use-things owe their boringly obtrusive usualness, is only one more testimony to the original essence of equipmental being. The worn-out usualness of the equipment then obtrudes itself as the sole mode of being, apparently peculiar to it exclusively. Only blank usefulness now remains visible. It awakens the impression that the origin of equipment lies in a mere fabricating that impresses a form upon some matter. Nevertheless, in


Martin Heidegger (GA 5) The Origin of the Work of Art - Basic Writings (1993)