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The Origin of the Work of Art

Such doing is determined and pervaded by the essence of creation, and indeed remains contained within that creating.

What then, if not craft, is to guide our thinking about the essence of creation? What else than a view of what is to be created—the work? Although it becomes actual only as the creative act is performed, and thus depends for its actuality upon this act, the essence of creation is determined by the essence of the work. Even though the work's createdness has a relation to creation, nevertheless both createdness and creation must be defined in terms of the work-being of the work. By now it can no longer seem strange that we first and at length dealt with the work alone, to bring its createdness into view only at the end. If createdness belongs to the work as essentially as the word "work" makes it sound, then we must try to understand even more essentially what so far could be defined as the work-being of the work. {GA 5: 48}

In the light of the essential definition of the work we have reached at this point, according to which the happening of truth is at work in the work, we are able to characterize creation as follows: to create is to let something emerge as a thing that has been brought forth. The work's becoming a work is a way in which truth becomes and happens. It all rests in the essence of truth. But what is truth, that it has to happen in such a thing as something created? How does truth have an impulse toward a work grounded in its very essence? Is this intelligible in terms of the essence of truth as thus far elucidated?

Truth is un-truth, insofar as there belongs to it the reservoir of the not-yet-revealed, the un-uncovered, in the sense of concealment. In unconcealment, as truth, there occurs also the other "un-" of a double restraint or refusal. Truth essentially occurs as such in the opposition of clearing and double concealing. Truth is the primal strife in which, always in some particular way, the open region is won within which everything stands and from which everything withholds itself that shows itself and withdraws itself as a


Martin Heidegger (GA 5) The Origin of the Work of Art - Basic Writings (1993)