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BASIC WRITINGS

as long as we ask it, we take the work directly and as a foregone conclusion, as an object that is simply at hand. In that way we never question in terms of the work, but in our own terms. In our terms—we, who then do not let the work be a work but view it as an object that is supposed to produce this or that state of mind in us.

But what looks like the thingly element, in the sense of our usual thing-concepts, {GA 5: 57} in the work taken as object, is, seen from the perspective of the work, its earthy character. The earth juts up within the work because the work essentially unfolds as something in which truth is at work and because truth essentially unfolds only by installing itself within a particular being. In the earth, however, as essentially self-secluding, the openness of the open region finds that which most intensely resists it; it thereby finds the site of its constant stand, the site in which the figure must be fixed in place.

Was it then superfluous, after all, to enter into the question of the thingly character of the thing? By no means. To be sure, the work's work-character cannot be defined in terms of its thingly character, but as against that the question about the thing's thingly character can be brought onto the right course by way of a knowledge of the work's work-character. This is no small matter, if we recollect that those ancient, traditional modes of thought attack the thing's thingly character and make it subject to an interpretation of beings as a whole, an interpretation that remains unfit to apprehend the essence of equipment and of the work, and which makes us equally blind to the original essence of truth.

To determine the thing's thingness, neither consideration of the bearer of properties, nor that of the manifold of sense data in their unity, and least of all that of the matter-form structure regarded by itself, which is derived from equipment, is adequate. Anticipating a meaningful and weighty interpretation of the thingly character of things, we must aim at the thing's belonging to the earth. The essence of the earth, in its free and unhurried bearing and self-seclusion, reveals itself, however, only in the earth's jutting into a world, only in the opposition of the two. This strife is fixed in place in the


Martin Heidegger (GA 5) The Origin of the Work of Art - Basic Writings (1993)