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The Origin of the Work of Art

figure of the work and becomes manifest by it. What holds true of equipment—namely, that we come to know its equipmental character specifically only through the work itself—also holds of the thingly character of the thing. The fact that we never know thingness directly, and if we know it at all, then only vaguely, and thus require the work—this fact proves indirectly that in the work's work-being {GA 5: 58} the happening of truth, the opening up of beings, is at work.

But, we might finally object, if the work is indeed to bring thingness cogently into the open region, must it not then itself—and indeed before its own creation and for the sake of its creation—have been brought into a relation with the things of earth, with nature? Someone who must have known all about this, Albrecht Dürer, did after all make the well-known remark: "For in truth, art lies hidden within nature; he who can wrest it from her, has it." "Wrest" here means to draw out the rift and to draw the design with the drawing-pen on the drawing-board. * But we at once raise the counterquestion: How can the rift be drawn out if it is not brought into the open region by the creative projection as a rift, which is to say, brought out beforehand as strife of measure and unmeasure? True, there lies hidden in nature a rift-design, a measure and a boundary and, tied to it, a capacity for bringing forth—that is, art. But it is equally certain that this art hidden in nature becomes manifest only through the work, because it lies originally in the work.

The trouble we are taking over the actuality of the work is intended as spadework for discovering art and the essence of art in the actual work. The question concerning the essence of art, the way toward knowledge of it, is first to be placed on a firm ground again. The answer to the question, like every genuine answer, is only the final result of the last step in a long series of questions. Each answer remains in force as an answer only as long as it is rooted in questioning.


* "Reissen heisst hier Herausholen des Risses and den Riss reissen mit der Reissfeder auf dem Reissbrett."


Martin Heidegger (GA 5) The Origin of the Work of Art - Basic Writings (1993)