216 § Poetry, Language, Thought



Hölderlin thus not only protects the "poetic" from a likely misinterpretation, but by adding the words "on this earth" expressly points to the nature of poetry. Poetry does not fly above and surmount the earth in order to escape it and hover over it. Poetry is what first brings man onto the earth, making him belong to it, and thus brings him into dwelling.


Full of merit, yet poetically, man
Dwells on this earth.


Do we know now why man dwells poetically? We still do not. We now even run the risk of intruding foreign thoughts into Hölderlin's poetic words. For Hölderlin indeed speaks of man's dwelling and his merit, but still he does not connect dwelling with building, as we have just done. He does not speak of either in the sense of cultivating and erecting, or in such a way as even to represent poetry as a special kind of building. Accordingly, Hölderlin does not speak of poetic dwelling as our own thinking does. Despite all this, we are thinking the same thing that Hölderlin is saying poetically.

It is, however, important to take note here of an essential point. A short parenthetical remark is needed. Poetry and thinking meet each other in one and the same only when, and only as long as, they remain distinctly in the distinctness of their nature. The same never coincides with the equal, not even in the empty indifferent oneness of what is merely identical. The equal or identical always moves toward the absence of difference, so that everything may be reduced to a common denominator. The same, by contrast, is the belonging together of what differs, through a gathering by way of the difference. We can only say "the same" if we think difference. It is in the carrying out and settling of differences that the gathering nature of sameness comes to light. The same banishes all zeal always to level what is different into the equal or identical. The same gathers what is distinct into an original being-at-one. The equal, on the contrary, disperses them into the dull unity of mere uniformity. Hölderlin, in his own way, knew of these relations.